{"id":101803,"date":"2025-09-29T09:34:50","date_gmt":"2025-09-29T16:34:50","guid":{"rendered":"https:\/\/sou.edu\/academics\/?p=101803"},"modified":"2025-10-06T14:22:53","modified_gmt":"2025-10-06T21:22:53","slug":"donacion-de-arte-mexicano-al-programa-de-espanol-transforma-central-hall","status":"publish","type":"post","link":"https:\/\/sou.edu\/academics\/donacion-de-arte-mexicano-al-programa-de-espanol-transforma-central-hall\/","title":{"rendered":"Donaci\u00f3n de arte mexicano al Programa de Espa\u00f1ol transforma Central Hall"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-5kzawmln-ffc2b37b163c1100ea3836e4e51b9566\">\n.avia-section.av-5kzawmln-ffc2b37b163c1100ea3836e4e51b9566{\nbackground-color:#f3f3f3;\nbackground-image:unset;\n}\n<\/style>\n<div id='av_section_1' aria-label='ºÚ¹Ï³ÔÁÏÍø English Stories - Blog Roll Template - Intro Section' class='avia-section av-5kzawmln-ffc2b37b163c1100ea3836e4e51b9566 main_color 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\/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg136mju-b6aa9ccb4030bf072721936252e15ea6\">\n#top .av_textblock_section.av-mg136mju-b6aa9ccb4030bf072721936252e15ea6 .avia_textblock{\nfont-size:12px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg136mju-b6aa9ccb4030bf072721936252e15ea6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><em>Daria Semco y Maureen Williams instalan las obras de arte donadas por Dyane Smith.<br \/>\nDaria Semco and Maureen Williams install the artworks donated by Dyane Smith. <\/em><\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4fyfea0b-8391de4ed6ba933d42d4c1d3f0e6e46d\">\n.flex_column.av-4fyfea0b-8391de4ed6ba933d42d4c1d3f0e6e46d{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column 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avia-builder-el-10  el_before_av_cell_one_half  avia-builder-el-first '  ><div class='flex_cell_inner'><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg133bvi-97de61bff4083dd4f319ba186a0feb38\">\n#top .av-special-heading.av-mg133bvi-97de61bff4083dd4f319ba186a0feb38{\npadding-bottom:0;\nfont-size:24px;\n}\nbody .av-special-heading.av-mg133bvi-97de61bff4083dd4f319ba186a0feb38 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n#top #wrap_all .av-special-heading.av-mg133bvi-97de61bff4083dd4f319ba186a0feb38 .av-special-heading-tag{\nfont-size:24px;\n}\n.av-special-heading.av-mg133bvi-97de61bff4083dd4f319ba186a0feb38 .av-subheading{\nfont-size:18px;\n}\n\n@media only screen and (min-width: 480px) and (max-width: 767px){ \n#top #wrap_all .av-special-heading.av-mg133bvi-97de61bff4083dd4f319ba186a0feb38 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .av-special-heading.av-mg133bvi-97de61bff4083dd4f319ba186a0feb38 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n<\/style>\n<div  class='av-special-heading av-mg133bvi-97de61bff4083dd4f319ba186a0feb38 av-special-heading-h1 custom-color-heading blockquote modern-quote  avia-builder-el-11  el_before_av_textblock  avia-builder-el-first  top-30 av-inherit-size av-linked-heading'><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >Donaci\u00f3n de arte mexicano al Programa de Espa\u00f1ol transforma Central Hall<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg134y96-21794c521eb64fc9815eb53ed7b3fb09\">\n#top .av_textblock_section.av-mg134y96-21794c521eb64fc9815eb53ed7b3fb09 .avia_textblock{\nfont-size:12px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg134y96-21794c521eb64fc9815eb53ed7b3fb09 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><em>Por: Julia Victorino<br \/>\nFotos y descripciones de las obras: Daria Semco<\/em><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg1356bg-0fb7b667cab93c2ab20e93e9d2ce1d6e\">\n#top .av_textblock_section.av-mg1356bg-0fb7b667cab93c2ab20e93e9d2ce1d6e .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg1356bg-0fb7b667cab93c2ab20e93e9d2ce1d6e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Central Hall tiene nuevos residentes inesperados: varias obras de arte fascinantes por muralistas y artistas famosos ahora son expuestas en el Programa de Espa\u00f1ol y ASL. Instalada de forma permanente en el pasillo al otro lado del laboratorio de idiomas es una exhibici\u00f3n de arte mexicano organizada por la Profesora Anne Connor, comisariada por estudiante de Espa\u00f1ol, Daria Semco, y dise\u00f1ada e instalada por Maureen Williams, coordinadora de galer\u00eda e instaladora en el museo de arte Schneider.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg137xhn-3bed9847e2054bfa27f67875e2913532\">\n#top .av_textblock_section.av-mg137xhn-3bed9847e2054bfa27f67875e2913532 .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg137xhn-3bed9847e2054bfa27f67875e2913532 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Las obras de arte fueron donadas por Dyane Smith, quien esperaba que su colecci\u00f3n de arte mexicano pudiera ser expuesta para inspirar a los estudiantes de ºÚ¹Ï³ÔÁÏÍø. La colecci\u00f3n incluye varias obras relacionadas con uno de los movimientos art\u00edsticos m\u00e1s importantes en M\u00e9xico, el muralismo. Inicialmente, Daria Semco se dedic\u00f3 a identificar las obras y describir su importancia como parte de su trabajo final para Espa\u00f1ol 325\/425: Revoluci\u00f3n y Dictadura en la Sociedad Latinoamericana durante la primavera; sin embargo, el proyecto ha evolucionado a ser una adquisici\u00f3n maravillosa para el edificio.<\/p>\n<p>El movimiento muralista mexicano inici\u00f3 despu\u00e9s de la conclusi\u00f3n de la Revoluci\u00f3n Mexicana (1910-1920) y fue fundamental para la construcci\u00f3n de la identidad mexicana en el siglo XX debido a la perspectiva, los estilos y los temas \u00fanicos de cada artista que representaban el pasado, presente y futuro de M\u00e9xico.<\/p>\n<p>Aqu\u00ed se aprecia unas obras de la exhibici\u00f3n y un poco de informaci\u00f3n de algunos artistas destacados:<\/p>\n<\/div><\/section><\/p>\n<\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-40v1s65n-6c109070a979992dc6d6eb2ed5a81f65\">\n.flex_cell.av-40v1s65n-6c109070a979992dc6d6eb2ed5a81f65{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-40v1s65n-6c109070a979992dc6d6eb2ed5a81f65{\npadding:0 50px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-40v1s65n-6c109070a979992dc6d6eb2ed5a81f65 av-gridrow-cell av_one_half no_margin  avia-builder-el-15  el_after_av_cell_one_half  avia-builder-el-last '  ><div class='flex_cell_inner'><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13f52r-6c4144b4a25fa3fa7622310b72e813ae\">\n#top .av-special-heading.av-mg13f52r-6c4144b4a25fa3fa7622310b72e813ae{\npadding-bottom:0;\nfont-size:24px;\n}\nbody .av-special-heading.av-mg13f52r-6c4144b4a25fa3fa7622310b72e813ae .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n#top #wrap_all .av-special-heading.av-mg13f52r-6c4144b4a25fa3fa7622310b72e813ae .av-special-heading-tag{\nfont-size:24px;\n}\n.av-special-heading.av-mg13f52r-6c4144b4a25fa3fa7622310b72e813ae .av-subheading{\nfont-size:18px;\n}\n\n@media only screen and (min-width: 480px) and (max-width: 767px){ \n#top #wrap_all .av-special-heading.av-mg13f52r-6c4144b4a25fa3fa7622310b72e813ae .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .av-special-heading.av-mg13f52r-6c4144b4a25fa3fa7622310b72e813ae .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n<\/style>\n<div  class='av-special-heading av-mg13f52r-6c4144b4a25fa3fa7622310b72e813ae av-special-heading-h1 custom-color-heading blockquote modern-quote  avia-builder-el-16  el_before_av_textblock  avia-builder-el-first  top-30 av-inherit-size av-linked-heading'><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >Mexican Art Donation to Spanish Program Transforms Central Hall<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13ej81-f7c58113e409bbe8cf76b91d9af14561\">\n#top .av_textblock_section.av-mg13ej81-f7c58113e409bbe8cf76b91d9af14561 .avia_textblock{\nfont-size:12px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13ej81-f7c58113e409bbe8cf76b91d9af14561 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><em>By: Julia Victorino<br \/>\nPhotos and art information: Daria Semco<\/em><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13eti6-fb8807e94e4523280bd1e198b2b24a1b\">\n#top .av_textblock_section.av-mg13eti6-fb8807e94e4523280bd1e198b2b24a1b .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13eti6-fb8807e94e4523280bd1e198b2b24a1b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Central Hall has some unexpected new residents: Several fascinating works of art by famous muralists and artists are now on display in the Spanish and ASL Program. Permanently installed in the hallway across from the Language Lab is a Mexican Art Exhibition organized by Professor Anne Connor, curated by ºÚ¹Ï³ÔÁÏÍø student Daria Semco, and designed and installed by Maureen Williams, gallery coordinator at the Schneider Museum of Art.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13fg0o-e74070903d6f1a90053bcbdd65db7fb5\">\n#top .av_textblock_section.av-mg13fg0o-e74070903d6f1a90053bcbdd65db7fb5 .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13fg0o-e74070903d6f1a90053bcbdd65db7fb5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The artworks were donated by Dyane Smith, who hoped her Mexican art collection, showcasing several works by artists from one of the most important art movements in Mexico known as muralism, could be displayed to inspire students at ºÚ¹Ï³ÔÁÏÍø. Initially, Daria Semco worked on identifying the works and describing their importance as part of her final project for Spanish 325\/425, Revolution, Dictatorship, and Society in Latin America, this past Spring term; however, the project evolved into a wonderful permanent addition to the building.<\/p>\n<p>The muralism movement initiated after the conclusion of the Mexican Revolution (1910-1920) and was fundamental to the construction of Mexican identity in the 20th century due to the unique perspective, styles, and themes of each artist who depicted Mexico\u2019s past, present, and future.<\/p>\n<p>Here is a preview of the exhibition and a bit of information about a few of the featured artists:<\/p>\n<\/div><\/section><\/p>\n<\/div><\/div>\n<\/div>\n<div id='av_section_3' aria-label='ºÚ¹Ï³ÔÁÏÍø English Stories - Blog Roll Template - Blog Section' class='avia-section av-3w85v0q3-0ee310174b33aa93d882ba77926361e9 main_color avia-section-default avia-shadow  avia-builder-el-20  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0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-3p4bf8bv-6ce48b8fe52e5a99f988f660e8bf1ba8 av_three_fifth  avia-builder-el-22  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3ivbcv57-6b865c6f4248e8728191fc1fc4e246d5\">\n.avia-image-container.av-3ivbcv57-6b865c6f4248e8728191fc1fc4e246d5 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-3ivbcv57-6b865c6f4248e8728191fc1fc4e246d5 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-3ivbcv57-6b865c6f4248e8728191fc1fc4e246d5 av-styling-no-styling avia-align-  avia-builder-el-23  el_before_av_textblock  avia-builder-el-first  pop-20'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><picture><source srcset=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte.webp 1920w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-297x300.webp 297w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-1019x1030.webp 1019w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-80x80.webp 80w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-768x776.webp 768w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-1519x1536.jpg 1519w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-36x36.webp 36w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-1484x1500.jpg 1484w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-697x705.webp 697w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" type=\"image\/webp\"><img src=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte.jpg\" height=\"1941\" width=\"1920\" srcset=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte.jpg 1920w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-297x300.jpg 297w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-1019x1030.jpg 1019w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-80x80.jpg 80w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-768x776.jpg 768w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-1519x1536.jpg 1519w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-36x36.jpg 36w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-1484x1500.jpg 1484w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/La-vida-y-la-muerte-697x705.jpg 697w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" class=\"wp-image-101814 avia-img-lazy-loading-not-101814 avia_image  sp-no-webp\" alt=\"La vida y la muerte\" decoding=\"async\" fetchpriority=\"high\" itemprop=\"thumbnailUrl\"  > <\/picture><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13981k-06ca8d841b635532dfe9a38e8a1c2a82\">\n#top .av_textblock_section.av-mg13981k-06ca8d841b635532dfe9a38e8a1c2a82 .avia_textblock{\nfont-size:12px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13981k-06ca8d841b635532dfe9a38e8a1c2a82 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span class=\"heavy-man\">Arturo Garc\u00eda Bustos<\/span>, <em>La vida y la muerte<\/em> (1974)<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3fsminaj-81becd35320dfda9deac2b3e95a82069\">\n.flex_column.av-3fsminaj-81becd35320dfda9deac2b3e95a82069{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-3fsminaj-81becd35320dfda9deac2b3e95a82069 av_one_fifth  avia-builder-el-25  el_after_av_three_fifth  avia-builder-el-last  flex_column_div av-zero-column-padding  '     ><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-layout-grid-2'  class='av-layout-grid-container av-38c5t4bv-69e1bb242bdad9df81aa794a58bf982c entry-content-wrapper main_color av-border-cells av-flex-cells  avia-builder-el-26  el_after_av_section  el_before_av_section  grid-row-not-first  container_wrap fullsize'  >\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-360lz86j-c8e50c1c8b3185b42619b65469be3e4b\">\n.flex_cell.av-360lz86j-c8e50c1c8b3185b42619b65469be3e4b{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-360lz86j-c8e50c1c8b3185b42619b65469be3e4b{\npadding:30px 30px 30px 50px !important;\n}\n<\/style>\n<div class='flex_cell av-360lz86j-c8e50c1c8b3185b42619b65469be3e4b av-gridrow-cell av_one_half no_margin  avia-builder-el-27  el_before_av_cell_one_half  avia-builder-el-first '  ><div class='flex_cell_inner'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13aumb-2a4c780b86dd1b51b6c740b374be9be8\">\n#top .av_textblock_section.av-mg13aumb-2a4c780b86dd1b51b6c740b374be9be8 .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13aumb-2a4c780b86dd1b51b6c740b374be9be8 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Arturo Garc\u00eda Bustos naci\u00f3 en la Ciudad de M\u00e9xico en 1906, donde creci\u00f3 en el centro hist\u00f3rico. Esto le permiti\u00f3 observar los murales de Diego Rivera y Jos\u00e9 Clemente Orozco, que a su vez a crear su propio arte, incluyendo la famosa obra <em>La vida y la muerte<\/em>. En La vida y la muerte, Bustos posiblemente hace referencia a Coatlicue, una diosa azteca que representa ambas la creaci\u00f3n y la destrucci\u00f3n.<\/p>\n<\/div><\/section>\n<\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2zydf5ez-629c546bd592c7a6541f7783352573c8\">\n.flex_cell.av-2zydf5ez-629c546bd592c7a6541f7783352573c8{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-2zydf5ez-629c546bd592c7a6541f7783352573c8{\npadding:30px 50px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-2zydf5ez-629c546bd592c7a6541f7783352573c8 av-gridrow-cell av_one_half no_margin  avia-builder-el-29  el_after_av_cell_one_half  avia-builder-el-last '  ><div class='flex_cell_inner'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13gejc-34e8692e95325ed09bd0e6001c402876\">\n#top .av_textblock_section.av-mg13gejc-34e8692e95325ed09bd0e6001c402876 .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13gejc-34e8692e95325ed09bd0e6001c402876 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Arturo Garc\u00eda Bustos was born in Mexico City in 1906, where he grew up in its historic center. This would allow him to observe the murals of Diego Rivera and Jos\u00e9 Clemente Orozco, leading him to create a famous work of his own, known as <em>La vida y la muerte<\/em>. In <em>La vida y la muerte<\/em>, Bustos makes possible references to Coatlicue, an Aztec goddess who represents both creation and destruction.<\/p>\n<\/div><\/section>\n<\/div><\/div>\n<\/div>\n<div id='av_section_4' aria-label='ºÚ¹Ï³ÔÁÏÍø English Stories - Blog Roll Template - Blog Section' class='avia-section av-2wr5g5t7-b66b94d59bc62ad57545f398e63ed5c2 main_color avia-section-default avia-shadow  avia-builder-el-31  el_after_av_layout_row  el_before_av_layout_row  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-101803'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2s30vi0b-63e2b90c42ab8705247137d40ca46c75\">\n.flex_column.av-2s30vi0b-63e2b90c42ab8705247137d40ca46c75{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-2s30vi0b-63e2b90c42ab8705247137d40ca46c75 av_one_fifth  avia-builder-el-32  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2kshwl7v-ef23fd19aadaeaf39c932184d78f566a\">\n.flex_column.av-2kshwl7v-ef23fd19aadaeaf39c932184d78f566a{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-2kshwl7v-ef23fd19aadaeaf39c932184d78f566a av_three_fifth  avia-builder-el-33  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2j9b53jf-d52e09ac6e074d9c117f305d1f50205c\">\n.avia-image-container.av-2j9b53jf-d52e09ac6e074d9c117f305d1f50205c img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-2j9b53jf-d52e09ac6e074d9c117f305d1f50205c .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-2j9b53jf-d52e09ac6e074d9c117f305d1f50205c av-styling-no-styling avia-align-  avia-builder-el-34  el_before_av_textblock  avia-builder-el-first  pop-20'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><picture><source srcset=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse.webp 1920w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-298x300.webp 298w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-1021x1030.webp 1021w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-80x80.webp 80w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-768x774.webp 768w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-1523x1536.webp 1523w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-36x36.webp 36w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-1488x1500.webp 1488w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-699x705.webp 699w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" type=\"image\/webp\"><img src=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse.jpg\" height=\"1936\" width=\"1920\" srcset=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse.jpg 1920w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-298x300.jpg 298w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-1021x1030.jpg 1021w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-80x80.jpg 80w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-768x774.jpg 768w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-1523x1536.jpg 1523w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-36x36.jpg 36w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-1488x1500.jpg 1488w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Four-Horsemen-of-the-Apocalypse-699x705.jpg 699w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" class=\"wp-image-101816 avia-img-lazy-loading-not-101816 avia_image  sp-no-webp\" alt=\"Four Horsemen of the Apocalypse\" decoding=\"async\" fetchpriority=\"high\" itemprop=\"thumbnailUrl\"  > <\/picture><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13bw2w-acef3d1959664eb363f1826465834b90\">\n#top .av_textblock_section.av-mg13bw2w-acef3d1959664eb363f1826465834b90 .avia_textblock{\nfont-size:12px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13bw2w-acef3d1959664eb363f1826465834b90 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span class=\"heavy-man\">Roberto Montenegro<\/span>, <em>Four Horsemen of the Apocalypse <\/em> (1964)<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2ddoqeqz-6dae4f5dd88f621925b056ae8dd8d13d\">\n.flex_column.av-2ddoqeqz-6dae4f5dd88f621925b056ae8dd8d13d{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-2ddoqeqz-6dae4f5dd88f621925b056ae8dd8d13d av_one_fifth  avia-builder-el-36  el_after_av_three_fifth  avia-builder-el-last  flex_column_div av-zero-column-padding  '     ><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-layout-grid-3'  class='av-layout-grid-container av-2afwpxkb-359fd1b3bbad02ffc83562faffe4ca06 entry-content-wrapper main_color av-border-cells av-flex-cells  avia-builder-el-37  el_after_av_section  el_before_av_section  grid-row-not-first  container_wrap fullsize'  >\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-24227k4r-48d57e7517bcbc31884fb3236debf960\">\n.flex_cell.av-24227k4r-48d57e7517bcbc31884fb3236debf960{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-24227k4r-48d57e7517bcbc31884fb3236debf960{\npadding:30px 30px 30px 50px !important;\n}\n<\/style>\n<div class='flex_cell av-24227k4r-48d57e7517bcbc31884fb3236debf960 av-gridrow-cell av_one_half no_margin  avia-builder-el-38  el_before_av_cell_one_half  avia-builder-el-first '  ><div class='flex_cell_inner'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13c378-6d4e65ff97d253887c9ac68042041f2b\">\n#top .av_textblock_section.av-mg13c378-6d4e65ff97d253887c9ac68042041f2b .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13c378-6d4e65ff97d253887c9ac68042041f2b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Roberto Montenegro naci\u00f3 en Guadalajara, M\u00e9xico en 1881 en una familia aliada con el r\u00e9gimen de Porfirio D\u00edaz. En sus obras de arte del movimiento muralista, Montenegro es conocido por sus temas sobre el nacionalismo y la reconstrucci\u00f3n de M\u00e9xico por los obreros e intelectuales.<\/p>\n<\/div><\/section>\n<\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1xss0tnv-dfb4dee83a3603120e0f0bd3786894fe\">\n.flex_cell.av-1xss0tnv-dfb4dee83a3603120e0f0bd3786894fe{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-1xss0tnv-dfb4dee83a3603120e0f0bd3786894fe{\npadding:30px 50px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-1xss0tnv-dfb4dee83a3603120e0f0bd3786894fe av-gridrow-cell av_one_half no_margin  avia-builder-el-40  el_after_av_cell_one_half  avia-builder-el-last '  ><div class='flex_cell_inner'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13gms1-c502eb3c37788af673a835907a42be26\">\n#top .av_textblock_section.av-mg13gms1-c502eb3c37788af673a835907a42be26 .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13gms1-c502eb3c37788af673a835907a42be26 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Roberto Montenegro was born in 1881 in Guadalajara, Mexico, to a family that was allied with the regime of Porifirio Diaz. In his artworks from the muralism movement, Montenegro is known for his themes of nationalism and the reconstruction of Mexico for workers and intellectuals.<\/p>\n<\/div><\/section>\n<\/div><\/div>\n<\/div>\n<div id='av_section_5' aria-label='ºÚ¹Ï³ÔÁÏÍø English Stories - Blog Roll Template - Blog Section' class='avia-section av-1u1j1wh7-11bac9880e511890b0d62fa275932b33 main_color avia-section-default avia-shadow  avia-builder-el-42  el_after_av_layout_row  el_before_av_layout_row  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-101803'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1rpkc67f-ad39f4c2c80d2d39f2bf6f84093ec6e9\">\n.flex_column.av-1rpkc67f-ad39f4c2c80d2d39f2bf6f84093ec6e9{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-1rpkc67f-ad39f4c2c80d2d39f2bf6f84093ec6e9 av_one_fifth  avia-builder-el-43  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1lb8k88b-f8f259af192cd7362aa0527a304b14a2\">\n.flex_column.av-1lb8k88b-f8f259af192cd7362aa0527a304b14a2{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-1lb8k88b-f8f259af192cd7362aa0527a304b14a2 av_three_fifth  avia-builder-el-44  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1hrwrxt7-f10a446a877d162f80918fa4e7b46001\">\n.avia-image-container.av-1hrwrxt7-f10a446a877d162f80918fa4e7b46001 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-1hrwrxt7-f10a446a877d162f80918fa4e7b46001 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-1hrwrxt7-f10a446a877d162f80918fa4e7b46001 av-styling-no-styling avia-align-  avia-builder-el-45  el_before_av_textblock  avia-builder-el-first  pop-20'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><picture><source srcset=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca.webp 1667w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-260x300.webp 260w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-894x1030.webp 894w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-768x885.webp 768w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-1334x1536.webp 1334w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-1302x1500.webp 1302w,https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-612x705.webp 612w\" sizes=\"(max-width: 1667px) 100vw, 1667px\" type=\"image\/webp\"><img src=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca.jpg\" height=\"1920\" width=\"1667\" srcset=\"https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca.jpg 1667w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-260x300.jpg 260w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-894x1030.jpg 894w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-768x885.jpg 768w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-1334x1536.jpg 1334w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-1302x1500.jpg 1302w, https:\/\/sou.edu\/academics\/wp-content\/uploads\/sites\/14\/2025\/09\/Laloca-612x705.jpg 612w\" sizes=\"(max-width: 1667px) 100vw, 1667px\" class=\"wp-image-101815 avia-img-lazy-loading-not-101815 avia_image  sp-no-webp\" alt=\"Laloca\" decoding=\"async\" fetchpriority=\"high\" itemprop=\"thumbnailUrl\"  > <\/picture><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13cshd-7964d2b11f2dc4b3d079bf07d3c505c1\">\n#top .av_textblock_section.av-mg13cshd-7964d2b11f2dc4b3d079bf07d3c505c1 .avia_textblock{\nfont-size:12px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13cshd-7964d2b11f2dc4b3d079bf07d3c505c1 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span class=\"heavy-man\">Jos\u00e9 Clemente Orozco<\/span>, <em>La loca <\/em> (1944)<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1ch2r4ff-4147bf53ad2ef0755254310b5428d883\">\n.flex_column.av-1ch2r4ff-4147bf53ad2ef0755254310b5428d883{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-1ch2r4ff-4147bf53ad2ef0755254310b5428d883 av_one_fifth  avia-builder-el-47  el_after_av_three_fifth  avia-builder-el-last  flex_column_div av-zero-column-padding  '     ><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-layout-grid-4'  class='av-layout-grid-container av-18iqd8q3-bb07927a295e8956f3ae56bb1805699b entry-content-wrapper main_color av-border-cells av-flex-cells  avia-builder-el-48  el_after_av_section  el_before_av_one_fifth  grid-row-not-first  container_wrap fullsize'  >\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-149tjdgr-35daf564b4e6069ff933c46c23d68407\">\n.flex_cell.av-149tjdgr-35daf564b4e6069ff933c46c23d68407{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-149tjdgr-35daf564b4e6069ff933c46c23d68407{\npadding:30px 30px 30px 50px !important;\n}\n<\/style>\n<div class='flex_cell av-149tjdgr-35daf564b4e6069ff933c46c23d68407 av-gridrow-cell av_one_half no_margin  avia-builder-el-49  el_before_av_cell_one_half  avia-builder-el-first '  ><div class='flex_cell_inner'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13do2j-664610fcfea266f50a363f4c8c2f8fb1\">\n#top .av_textblock_section.av-mg13do2j-664610fcfea266f50a363f4c8c2f8fb1 .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13do2j-664610fcfea266f50a363f4c8c2f8fb1 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Jos\u00e9 Clemente Orozco naci\u00f3 en Ciudad G\u00fazman, M\u00e9xico, y creci\u00f3 en la Ciudad de M\u00e9xico donde igual observ\u00f3 el ic\u00f3nico artista y creador de <em>La Catrina<\/em>, Jos\u00e9 Guadalupe Posada. En <em>La loca<\/em>, Orozco hace un comentario social sobre las malas condiciones de vida de las clases obreras as\u00ed como el impacto negativo de los conflictos armados sobre la mujer durante esa \u00e9poca.<\/p>\n<p>Aparte de los tres artistas, hay m\u00e1s artistas destacados en la exhibici\u00f3n. La exhibici\u00f3n de arte se presenta con orgullo en espa\u00f1ol e ingl\u00e9s. \u00a1Todos est\u00e1n bienvenidos a visitarla!<\/p>\n<\/div><\/section>\n<\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-yvewxez-48f0cd68beb058b19d2c50d26856b12a\">\n.flex_cell.av-yvewxez-48f0cd68beb058b19d2c50d26856b12a{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-yvewxez-48f0cd68beb058b19d2c50d26856b12a{\npadding:30px 50px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-yvewxez-48f0cd68beb058b19d2c50d26856b12a av-gridrow-cell av_one_half no_margin  avia-builder-el-51  el_after_av_cell_one_half  avia-builder-el-last '  ><div class='flex_cell_inner'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mg13jgqp-96b419c4ed30ceed74391ba993f8174a\">\n#top .av_textblock_section.av-mg13jgqp-96b419c4ed30ceed74391ba993f8174a .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-mg13jgqp-96b419c4ed30ceed74391ba993f8174a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Jos\u00e9 Clemente Orozco was born in Ciudad Guzm\u00e1n, Mexico, and grew up in Mexico City where he also observed the iconic artist and creator of <em>La Catrina<\/em>, Jos\u00e9 Guadalupe Posada. In <em>La loca<\/em>, Orozco makes a social commentary about the poor living conditions of the working class, as well as the impact of armed conflict on women at that time.<\/p>\n<p>Aside from the three artists, there are more artists featured in the exhibition. The artworks are proudly displayed with information in Spanish and English. All are welcome to visit!<\/p>\n<\/div><\/section>\n<\/div><\/div>\n<\/div><div id='after_grid_row_4'  class='main_color av_default_container_wrap container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-101803'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-thdzga3-0d7f296374ff5a635b082776ed7dbc1c av_one_fifth  avia-builder-el-53  el_after_av_layout_row  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div  '     ><\/div>\n<div  class='flex_column av-pi9m757-0f5b685cd10c58202b32a9ddfa42774c av_three_fifth  avia-builder-el-54  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kotbyjv-dd1b672240831afc4e17ce0c6537a9f3\">\n#top .av_textblock_section.av-kotbyjv-dd1b672240831afc4e17ce0c6537a9f3 .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-kotbyjv-dd1b672240831afc4e17ce0c6537a9f3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>You can stay up-to-date with all of the exciting things happening in our program by following the Spanish Program on Instagram (@sou.spanish) or <a href=\"https:\/\/www.facebook.com\/people\/Spanish-Program-at-ºÚ¹Ï³ÔÁÏÍø\/61559317186574\/?sk=about\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>.<\/p>\n<p>Interested in being featured on the Spanish Program blog? Or know someone who is interested? Contact our Spanish Program Faculty at <a href=\"mailto:connora@sou.edu\" target=\"_blank\" rel=\"noopener\">connora@sou.edu<\/a> or <a href=\"mailto:holmesb2@sou.edu\" target=\"_blank\" rel=\"noopener\">holmesb2@sou.edu<\/a>.<\/p>\n<p>Learn more about ºÚ¹Ï³ÔÁÏÍø\u2019s Spanish Programs:<br \/>\n<a href=\"\/academics\/spanish\/\">Spanish Home Page<\/a><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-fxxbwq3-4bb34670b8a617d4b3ea24a4ded92c01\">\n#top .hr.av-fxxbwq3-4bb34670b8a617d4b3ea24a4ded92c01{\nmargin-top:0;\nmargin-bottom:20px;\n}\n.hr.av-fxxbwq3-4bb34670b8a617d4b3ea24a4ded92c01 .hr-inner{\nwidth:100%;\nmax-width:45%;\n}\n.hr.av-fxxbwq3-4bb34670b8a617d4b3ea24a4ded92c01 .av-seperator-icon{\ncolor:#d31d22;\n}\n<\/style>\n<div  class='hr av-fxxbwq3-4bb34670b8a617d4b3ea24a4ded92c01 hr-custom  avia-builder-el-56  el_after_av_textblock  el_before_av_social_share  hr-center hr-icon-yes'><span class='hr-inner 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